The show has been guest-curated by Hepworth’s granddaughter, the art historian Sophie Bowness.

This summer’s highly anticipated Modern British collection at Osborne Samuel includes a number of pieces that have not been seen publicly for a very long time.

The pairing of these two seemingly disparate artists serves, interestingly, to reveal what it is that they share: not just a deep connection with the mysterious and ancient landscape of West Cornwall, but a brilliantly diverse creativity.

As crowd-pulling spectacles, Cornelia Parker’s celebrated room-sized suspended installations will guarantee the popularity of this major retrospective.

Browse & Darby was established at 19 Cork Street in 1977, by Lillian Browse and William Darby. Browse, an eminent art dealer and art historian nicknamed ‘the Duchess of Cork Street’, had previously run a gallery since 1944 in the same premises.

Scots/Irish artist William Crozier (1930-2011) established his reputation as one of the leading artists of his generation in post-war Britain with a remarkable series of landscape paintings produced from 1958 to 1961.

When the Bloomsbury gallery Austin/Desmond Fine Art, long-standing exhibitors at the British Art Fair, decided to run a major retrospective covering seven decades of Sir Terry Frost’s printmaking practice, there was little doubt as to who might curate it.